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Jasper CArrot, Driven to Distraction

Jasper Carrott – Driven to Distraction: Pauses

Pauses Pauses, coupled with intonation, are a significant part of speech and in Jasper Carrott’s routines have a number of different uses. These can be divided into deliberate and unconscious pauses. The former will include stopping for breath, pausing for a build up or to prompt a response from the audience. The unintentional pauses, which

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Jasper CArrot, Driven to Distraction

Jasper Carrott – Driven to Distraction: Reformulations

Reformulations Without getting into the added complexities of following your conversations with others, generally speaking, whenever you speak you are doing at least three things at once. You are planning what to say next, saying what you previously planned and monitoring what you just said in order to check that it is actually what you

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Jasper CArrot, Driven to Distraction

Jasper Carrott – Driven to Distraction: Audience Address

Audience Address Comedy is like any other commodity – it can me marketed. And like any market the style must suit the targeted audience. The approach to a television show like ‘Carrott’s Lib’ is different from that of his theatre shows and different again from the form used in his books. The greatest difference between

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Jasper Carrott – Driven to Distraction: Audience Prompts

Audience Prompts These prompts apply only to the live audience. Jasper Carrott employs a number of these with various results. The main ones he uses, some of which have been mentioned earlier, are pauses, key words or phrases and by starting the laughter himself. These may be used in conjunction with each other. A classic

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Jasper CArrot, Driven to Distraction

Jasper Carrott – Driven to Distraction: Conclusion

Conclusion Based on this study of Jasper Carrott’s ‘Mother-in-Law / Learner Driver’ sketch I can conclude that his delivery has indeed become much more polished with time. In conjunction with intonation, gestures and use of accents, his final act sis so well rehearsed that, grammatically, it is as highly structured as the version found in

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Jasper CArrot, Driven to Distraction

Jasper Carrott – Driven to Distraction: Notations

Appendix A : Key to the notation forms used in the transcriptions (.) Pause of a second or less (#) Pause of greater than 1 second. Duration gives (i.e. (3) for three-second pause). (J.#) Deliberate pause to prompt audience response or laughter (*#) Duration of audience laughter (J*#) Duration of audience laughter, initiated by Jasper

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